John Singer Sargent
John Singer Sargent Locations
John Singer Sargent (January 12, 1856 ?C April 14, 1925) was the most successful portrait painter of his era. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida.
Before Sargent??s birth, his father FitzWilliam was an eye surgeon at the Wills Hospital in Philadelphia. After his older sister died at the age of two, his mother Mary (n??e Singer) suffered a mental collapse and the couple decided to go abroad to recover. They remained nomadic ex-patriates for the rest of their lives. Though based in Paris, Sargent??s parents moved regularly with the seasons to the sea and the mountain resorts in France, Germany, Italy, and Switzerland. While she was pregnant, they stopped in Florence, Italy because of a cholera epidemic, and there Sargent was born in 1856. A year later, his sister Mary was born. After her birth FitzWilliam reluctantly resigned his post in Philadelphia and accepted his wife??s entreaties to remain abroad. They lived modestly on a small inheritance and savings, living an isolated life with their children and generally avoiding society and other Americans except for friends in the art world. Four more children were born abroad of whom two lived past childhood.
Though his father was a patient teacher of basic subjects, young Sargent was a rambunctious child, more interested in outdoor activities than his studies. As his father wrote home, ??He is quite a close observer of animated nature.?? Contrary to his father, his mother was quite convinced that traveling around Europe, visiting museums and churches, would give young Sargent a satisfactory education. Several attempts to give him formal schooling failed, owning mostly to their itinerant life. She was a fine amateur artist and his father was a skilled medical illustrator. Early on, she gave him sketchbooks and encouraged drawing excursions. Young Sargent worked with care on his drawings, and he enthusiastically copied images from the Illustrated London News of ships and made detailed sketches of landscapes. FitzWilliam had hoped that his son??s interest in ships and the sea might lead him toward a naval career.
At thirteen, his mother reported that John ??sketches quite nicely, & has a remarkably quick and correct eye. If we could afford to give him really good lessons, he would soon be quite a little artist.?? At age thirteen, he received some watercolor lessons from Carl Welsch, a German landscape painter. Though his education was far from complete, Sargent grew up to be a highly literate and cosmopolitan young man, accomplished in art, music, and literature. He was fluent in French, Italian, and German. At seventeen, Sargent was described as ??willful, curious, determined and strong?? (after his mother) yet shy, generous, and modest (after his father). He was well-acquainted with many of the great masters from first hand observation, as he wrote in 1874, ??I have learned in Venice to admire Tintoretto immensely and to consider him perhaps second only to Michael Angelo and Titian.?? Related Paintings of John Singer Sargent :. | Portrait of Mrs. Waldorf Astor | Poppies | Repose | White Ships | Gondolier |
Related Artists:Anthony Frederick Augustus Sandys
English painter, illustrator and draughtsman. He was the son of Anthony Sands (1804-83), a minor local artist. He began his artistic education with his father and attended the Norwich School of Design from 1846. His precocious talent was recognized by the award of silver medals by the Society of Arts in 1846 and 1847. He moved to London in 1851, when he first exhibited at the Royal Academy, but he continued to spend time at Norwich until the death of his parents in 1883. After publishing in 1857 A Nightmare, a gentle caricature of John Ruskin and his Pre-Raphaelite prot?g?s William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti and based on Millais's Sir Isumbras at the Ford (Port Sunlight, Lady Lever A.G.), he met Rossetti and became a member of his circle.PESELLINO
Italian Early Renaissance Painter, 1422-1457
Italian painter. According to the catasto (land registry declaration) return of his grandfather PESELLO, Francesco di Stefano was five years old in 1427. He was the son of the painter Stefano di Francesco (d 1427), who married Pesello's eldest daughter. By the early 1440s, perhaps after initial training in his grandfather's workshop on the Corso degli Adimari, Florence, Pesellino appears to have joined Fra Filippo Lippi's workshop. He may have been the 'Franciesco di Stefano pittore' who enrolled in the Compagnia di S Luca in 1447. In August 1453 Pesellino went into partnership with Piero di Lorenzo di Pratese (d 1487) and Zanobi di Migliore, and numerous replicas of popular Virgin and Child compositions by Pesellino Edward Bailey
(1814-1903) was the most accomplished of the missionary artists in Hawaii. Along with his wife, Bailey arrived in Hawaii as a missionary-teacher in 1837 on the ship Mary Frazier. He worked at the Wailuku Female Seminary in Maui from 1840 until its closure in 1849. After the seminary closed, he built the still standing Ka'ahumanu Church in Wailuku and operated a small sugar plantation that eventually became part of the Wailulu Sugar Company. He began painting about 1865, at the age of 51, without any formal instruction.
Bailey's best known paintings are landscapes depicting the natural beauty of central Maui, The Bailey House Museum (Wailuku, Hawaii) and the Lyman House Memorial Museum (Hilo, Hawaii) are among the public collections holding works by Edward Bailey.