John Singer Sargent
John Singer Sargent Locations
John Singer Sargent (January 12, 1856 ?C April 14, 1925) was the most successful portrait painter of his era. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida.
Before Sargent??s birth, his father FitzWilliam was an eye surgeon at the Wills Hospital in Philadelphia. After his older sister died at the age of two, his mother Mary (n??e Singer) suffered a mental collapse and the couple decided to go abroad to recover. They remained nomadic ex-patriates for the rest of their lives. Though based in Paris, Sargent??s parents moved regularly with the seasons to the sea and the mountain resorts in France, Germany, Italy, and Switzerland. While she was pregnant, they stopped in Florence, Italy because of a cholera epidemic, and there Sargent was born in 1856. A year later, his sister Mary was born. After her birth FitzWilliam reluctantly resigned his post in Philadelphia and accepted his wife??s entreaties to remain abroad. They lived modestly on a small inheritance and savings, living an isolated life with their children and generally avoiding society and other Americans except for friends in the art world. Four more children were born abroad of whom two lived past childhood.
Though his father was a patient teacher of basic subjects, young Sargent was a rambunctious child, more interested in outdoor activities than his studies. As his father wrote home, ??He is quite a close observer of animated nature.?? Contrary to his father, his mother was quite convinced that traveling around Europe, visiting museums and churches, would give young Sargent a satisfactory education. Several attempts to give him formal schooling failed, owning mostly to their itinerant life. She was a fine amateur artist and his father was a skilled medical illustrator. Early on, she gave him sketchbooks and encouraged drawing excursions. Young Sargent worked with care on his drawings, and he enthusiastically copied images from the Illustrated London News of ships and made detailed sketches of landscapes. FitzWilliam had hoped that his son??s interest in ships and the sea might lead him toward a naval career.
At thirteen, his mother reported that John ??sketches quite nicely, & has a remarkably quick and correct eye. If we could afford to give him really good lessons, he would soon be quite a little artist.?? At age thirteen, he received some watercolor lessons from Carl Welsch, a German landscape painter. Though his education was far from complete, Sargent grew up to be a highly literate and cosmopolitan young man, accomplished in art, music, and literature. He was fluent in French, Italian, and German. At seventeen, Sargent was described as ??willful, curious, determined and strong?? (after his mother) yet shy, generous, and modest (after his father). He was well-acquainted with many of the great masters from first hand observation, as he wrote in 1874, ??I have learned in Venice to admire Tintoretto immensely and to consider him perhaps second only to Michael Angelo and Titian.?? Related Paintings of John Singer Sargent :. | Portrait of a Boy | Grace Elvina, Marchioness Curzon of Kedleston | carrying the Sword of State at the coronation of Edward VII of the United Kingdom | The Daughters of Edward Darley Boit | Black Tent |
Related Artists:marie suzanne giroust roslin
Marie-Suzanne Giroust, född 9 mars 1734 i Paris, Frankrike, död 31 augusti 1772 i Paris, var en fransk konstnär, i huvudsak verksam inom pastellmåleri. Hon var gift med den svenske porträttmålaren Alexander Roslin från 1759 till sin död.
Dotter till Barthelemy Giroust och Marie Suzanne Leroy. När Giroust var sju år gammal, dog hennes far som var juvelerare. Fyra år senare dog även hennes mor, och hon flyttade in hos släktingar. Arvet efter fadern gav henne möjlighet att uppta målarstudier. Hon inledde sina studier hos Maurice Quentin de La Tour, men det var hos Joseph-Marie Vien hon kom att finna sig tillrätta. I Viens atelj?? träffade hon 1752 Alexander Roslin och blev förälskad. Girousts förmyndare kunde dock inte acceptera den svenske målaren som blivande make, då han var fattig och protestant. Paret kämpade för sin kärlek, och Giroust vägrade att träffa de friare som hennes förmyndare föreslog för henne. Efter medling av bland andra Roslins vän och beskyddare, Comte de Caylus, kunde Roslin och Giroust gifta sig, den 5 januari 1759. Paret Roslin fick mellan 1760 och 1772 sex barn, tre döttrar och tre söner, varav två döttrar och två söner nådde vuxen ålder.
Alexander Roslin erkände offentligen sin hustrus talang som konstnär, och han hävdade att hon var en skickligare pastellmålare än han själv. Giroust invaldes 1770 i den franska konstakademin, Acad??mie royale. 1771 utställde hon sitt porträtt av abb?? Lemonnier, som fick mycket beröm. Hon måladet i pastell.
Marie-Suzanne Giroust avled i bröstcancer i slutet av augusti 1772.Maler, Hans
Austrian, Active 1500-29
Marianne von Werefkin
Marianne von Werefkin (Russian, 10 September 1860, Tula, Russia - 6 February 1938, Ascona, Switzerland), born Marianna Wladimirowna Werewkina (transliteration Marianna Vladimirovna Verevkina), was a Russian-Swiss Expressionist painter.
Marianne von Werefkin was born the daughter of the commander of the Ekaterinaburg Regiment. In 1880, she became a student of Ilya Repin, the most important painter of Russian Realism. Her progress was dealt a setback by a hunting accident in 1888 in which she shot her right hand, the one with which she painted.
In 1892 she met Alexej von Jawlensky, who desired to be her protege, and in 1896 she, Jawlensky, and their servant moved to Munich. For the sake of Jawlensky's painting, Werefkin interrupted her painting for almost ten years.
She created her first expressionist works in 1907. In these she followed Paul Gauguin's and Louis Anquetin's style of "surface painting", while also showing the influence of Edvard Munch. In 1909, the Neue Kenstlervereinigung Menchen (New Association of Artists in Munich, NKVM) was founded. It became a forum of exhibitions and programming.
At the outbreak of the First World War, they immigrated to Switzerland, near Geneva. They later moved to Zurich. By 1918, they had separated, and Werefkin moved alone to Ascona, on Lago Maggiore. In 1924 she founded the artist group "Grober Bar" (i.e., Big Bear, Ursa Major).