John Singer Sargent
John Singer Sargent's Oil Paintings
John Singer Sargent Museum
Jan 12, 1856 - Apr 14, 1925, was an American painter.

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Diego Rivera
Portrait
mk117 1945 123.3x62.4cm
ID: 44534

Diego Rivera Portrait
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Diego Rivera Portrait


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Diego Rivera

Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.   Related Paintings of Diego Rivera :. | revolt | Rivera and Carlo | Sale Flowers | Dancing | No title |
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john scarlett davis
John Scarlett Davis (1 September 1804 - 29 September 1845), or Davies, was an English painter of the first half of the nineteenth century. Davis was born in Leominster, the son of James Davis, a watchmaker; Scarlett was his mother's maiden name. At the age of eleven, Davis won an award from the local society for the encouragement of the arts. He was educated at the Royal Academy of Art School in London, and began exhibiting his works at the annual Royal Academy shows in 1825. He was influenced by the work of his contemporary, Richard Parkes Bonington. Davis painted portraits, landscapes, and church interiors, and developed a distinctive specialty in painting the interiors of art galleries. His picture The Interior of the British Institution Gallery (1829) records a collection of Old Masters. His watercolor of the collection of Benjamin Godfrey Windus (1835) shows the Turner pictures on the walls. (John Ruskin studied those Turners while writing his Modern Painters.) Davis painted the interiors of the Louvre as well. Between 1842 and 1845 he was commissioned to draw copies of the paintings in the collections of the British royal palaces. Davis painted scenes on the Continent during his travels there. He was in Florence in 1834, and Amsterdam in 1841. He painted the interior of the Uffizi Gallery. Davis's later years were marred by alcoholism and spells of imprisonment. His posthumous reputation suffered as a result. Davis's name is almost identical to that of John Scarlett-Davies, a modern video artist and director.
Thomas Gooch
British c 1750-1802
Fritz von Uhde
German, 1848-1911 was a German painter of genre and religious subjects. His style lay between Realism and .Uhde was born in Wolkenburg, Saxony. In 1866 he was admitted to the Academy of Fine Arts in Dresden, but later that year he left his studies for military service, and from 1867 to 1877 he was a professor of horsemanship to the regiment of the assembled guard. He moved to Munich in 1877 to attend the Academy of Fine Arts. In Munich he particularly admired the Dutch old masters, and in 1879 he travelled to Paris where his studies of the Dutch painters continued under Mihely Munkecsy's supervision. In 1882 a journey to Holland brought about a change in his style, as he abandoned the dark chiaroscuro he had learned in Munich in favor of a colorism informed by the works of the French Impressionists. His work was often rejected by the official art criticism, and by the public, because his representations of ordinary scenes were considered vulagar or ugly. The critic Otto Julius Bierbaum was more sympathetic; in 1893, he wrote, "As a painter of children, for example, Uhde is extraordinarily distinguished. He does not depict them as sweetly as used to be popular; in other words not as amusing or charming dolls, but with extreme, very strict naturalness." In about 1890, Uhde became a professor at the Academy of Fine Arts in Munich.






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