John Singer Sargent
John Singer Sargent's Oil Paintings
John Singer Sargent Museum
Jan 12, 1856 - Apr 14, 1925, was an American painter.

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Here are all the paintings of Gerard Dou 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
92099 A Poulterer's Shop Gerard Dou A Poulterer's Shop 1670(1670) Medium oil on oak panel Dimensions 58 X 46 cm (22.8 X 18.1 in) cyf
90549 Eine Katze am Fenster eines Malerateliers Gerard Dou Eine Katze am Fenster eines Malerateliers 1657(1657) Medium : oil on canvas cjr
53824 Eremiten Gerard Dou Eremiten mk234 1670 46x34cm
89120 Officer of the Marksman Society in Leiden Gerard Dou Officer of the Marksman Society in Leiden 1630(1630) Medium oil on oak cyf
91146 Officer of the Marksman Society in Leiden Gerard Dou Officer of the Marksman Society in Leiden 1630(1630) Medium oil on oak wood cyf
39682 Old woman at her window,Watering flower Gerard Dou Old woman at her window,Watering flower mk150 c.1660/65 28.3x22.8cm
92475 Old Woman Cutting Bread Gerard Dou Old Woman Cutting Bread c. 1655(1655) Medium oil on panel Dimensions 28 X 22 cm (11 X 8.7 in) cjr
89116 Old Woman Watering Flowers Gerard Dou Old Woman Watering Flowers between 1660(1660) and 1665(1665) Medium oil on wood cyf
89117 Old Woman with a Candle Gerard Dou Old Woman with a Candle 1661(1661) Medium oil on oak cyf
89255 Painter in his Studio Gerard Dou Painter in his Studio 1647(1647) Medium oil on oak cyf
72351 Portrait of an old woman reading Gerard Dou Portrait of an old woman reading Old woman reading a lectionary: the so-called portrait of Rembrandt's mother, Neeltgen Willemsdr van Zuijdtbroeck (d 1640). ca. 1630 (1630-1639) Oil on panel 71 X 55.5 cm (27.95 X 21.85 in) cjr
67325 portratt av rembrandts mor Gerard Dou portratt av rembrandts mor 1631 se
89119 Reading the Bible Gerard Dou Reading the Bible 1645(1645) Medium oil on wood cyf
26806 Self-Portrait Gerard Dou Self-Portrait mk52 1655 Oil on wood 48x37cm Rijksmuseum,Amsterdam
92687 Self-portrait Gerard Dou Self-portrait 185 x 140 mm (7 1/8 x 5 1/2"). 1635 cjr
89115 self-portrait with a Palette Gerard Dou self-portrait with a Palette between 1660(1660) and 1665(1665) Medium oil on wood cyf
21781 The Dropsical Lady (mk08) Gerard Dou The Dropsical Lady (mk08) C.1663 Oil on panel 86x67cm Paris,Musee National du Louvre
20610 The Dropsical Woman (mk05) Gerard Dou The Dropsical Woman (mk05) Wood 34 x 27''(86 x 68 cm)Signed and dated 1663 with a claim that the painter was sixty-five years old;he was in fact fifty From the Royal Gallery of Turin;given by Charles-Emmanuel IV to General Clauzel Who forwarded it to the Luvre in 1799
89121 The Grocer's Shop Gerard Dou The Grocer's Shop 1647(1647) Medium oil on wood cyf
92477 The Night School. Gerard Dou The Night School. c. 1660-1665 Medium oil on panel Dimensions Height: 53 cm (20.9 in). Width: 40.3 cm (15.9 in). cjr
89258 The Prayer of the Spinner Gerard Dou The Prayer of the Spinner second half of 17th century Medium oil on wood cyf
92505 The young mother Gerard Dou The young mother 1658(1658) Medium oil on panel Dimensions Height: 74 cm (29.1 in). Width: 56 cm (22 in). cjr
89114 Trumpet-Player in front of a Banquet Gerard Dou Trumpet-Player in front of a Banquet between 1660(1660) and 1665(1665) Medium oil on wood cyf
90046 Woman Peeling Carrot Gerard Dou Woman Peeling Carrot second half of 17th century Medium oil on panel Dimensions Height: 57.2 cm (22.5 in). Width: 43.3 cm (17 in). cyf
89118 Woman Pouring Water into a Jar Gerard Dou Woman Pouring Water into a Jar 1640s Medium oil on wood cyf
74473 Young Woman in a Black Veil Gerard Dou Young Woman in a Black Veil c. 1660 Oil on canvas 14.5 x 11.7 cm cjr

Gerard Dou
Leiden 1613-1675 was a Dutch Golden Age painter, whose small, highly-polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his trompe l'oeil "niche" paintings and candlelit night-scenes with strong chiaroscuro. His first instructor in drawing and design was Bartholomew Dolendo, an engraver; and he afterwards learned the art of glass-painting under Peter Kouwhoorn. At the age of 15 he became a pupil of Rembrandt, with whom he continued for three years. From the great master of the Dutch school he acquired his skill in coloring, and in the more subtle effects of chiaroscuro; and the style of Rembrandt is reflected in several of his earlier pictures, notably in a portrait of himself at the age of 22, in the Bridge-water House gallery, and in the "Blind Tobit going to meet his Son", at Wardour Castle. At a comparatively early point in his career, however, he had formed a manner of his own distinct from, and indeed in some respects antagonistic to, that of his master. Gifted with unusual clearness of vision and precision of manipulation, he cultivated a minute and elaborate style of treatment; and probably few painters ever spent more time and pains on all the details of their pictures down to the most trivial. He is said to have spent five days in painting a hand; and his work was so fine that he found it necessary to manufacture his own brushes. Notwithstanding the minuteness of his touch, however, the general effect was harmonious and free from stiffness, and his color was always admirably fresh and transparent. He was fond of representing subjects in lantern or candle light, the effects of which he reproduced with a fidelity and skill which no other master has equaled. He frequently painted by the aid of a concave mirror, and to obtain exactness looked at his subject through a frame crossed with squares of silk thread. His practice as a portrait painter, which was at first considerable, gradually declined, sitters being unwilling to give him the time that he deemed necessary. His pictures were always small in size, and represented chiefly subjects in still life. Upwards of 200 are attributed to him, and specimens are to be found in most of the great public collections of Europe. His chef-d'oeuvre is generally considered to be The dropsical woman, 1663, and The Dutch Housewife, 1650, both in the Louvre. The Evening School, in the Amsterdam Rijksmuseum, is the best example of the candlelight scenes in which he excelled. In the National Gallery, London, favorable specimens are to be seen in the Poulterer's Shop,
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