John Singer Sargent
John Singer Sargent's Oil Paintings
John Singer Sargent Museum
Jan 12, 1856 - Apr 14, 1925, was an American painter.

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Here are all the paintings of Charles conder 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
58413 A Holiday at Mentone Charles conder A Holiday at Mentone A Holiday at Mentone, c1888. This painting featured on a 1984 Australian postage stamp.
82301 An Early Taste for Literature Charles conder An Early Taste for Literature painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder Date 1888(1888) cyf
79254 An Early Taste for Literature, Charles conder An Early Taste for Literature, An Early Taste for Literature, painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder Date 1888(1888) cjr
75369 Arcadia Charles conder Arcadia Arcadia (1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868-1909). cjr
77246 Arcadia Charles conder Arcadia 1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868?C1909). cyf
75417 Centennial Choir at Sorrento Charles conder Centennial Choir at Sorrento Centennial Choir at Sorrento (1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868-1909). cjr
77268 Centennial Choir at Sorrento Charles conder Centennial Choir at Sorrento 1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868?C1909). cyf
28034 Departure of the SS Orient from Circular Quay Charles conder Departure of the SS Orient from Circular Quay 1888 Oil on canvas 43.2 x 48.9 cm(17 x 19 1/4 in) Art Gallery of New South Wales,Sydney (mk63)
23086 Departure of thte OrientCircularQuay (nn02) Charles conder Departure of thte OrientCircularQuay (nn02) 1888 Oil on canvas 17 3/4x19 3/4" Purchased 1888
77350 Fatal Colours Charles conder Fatal Colours 1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868?C1909). cyf
42160 Figure composition Charles conder Figure composition mk167 c.1905 Oil
75459 Going Home Charles conder Going Home Going Home (1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868-1909). cjr
77344 Going Home Charles conder Going Home 1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868?C1909). cyf
75358 Herrick Blossoms Charles conder Herrick Blossoms Herrick's Blossoms (1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder (1868-1909). cjr
77237 Herrick s Blossoms Charles conder Herrick s Blossoms 1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder cyf
23090 Holiday at Mentone (nn02) Charles conder Holiday at Mentone (nn02) 1888 Oil on canvas 18 1/4x24"
75466 How We Lost Poor Flossie Charles conder How We Lost Poor Flossie How We Lost Poor Flossie (1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868-1909). cjr
77349 How We Lost Poor Flossie Charles conder How We Lost Poor Flossie (1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868?C1909). cyf
77230 Impressionists Camp Charles conder Impressionists Camp 1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868?C1909). cyf
75351 Impressionists' Camp Charles conder Impressionists' Camp Impressionists' Camp (1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868-1909). cjr
42158 Miss Raynor Charles conder Miss Raynor mk167 c.1890 Oil
23091 Springtime (nn02) Charles conder Springtime (nn02) 1888 Oil on canvas 17 3/5x23 1/4
75467 The Fatal Colours Charles conder The Fatal Colours The Fatal Colours (1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868-1909). cjr
42159 The Meeting Charles conder The Meeting mk167 c.1895 Watercolo on silk
23092 Yarding Sheep (nn02) Charles conder Yarding Sheep (nn02) 1890 Oil on canvas 14x22 1/16"

Charles conder
English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont
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